The toys we play with | ||
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Stage Lights! |
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Our lightboard. It's a pretty poor Colortran Status 24/48. But hey, it works. |
This is a Colortran Ellipsodial, or Leko. We don't use any made by Colortran, but this is a good example. This is a 50 degree leko. |
Another leko. This is a 5 degree leko. Ellipsodials are classified by the degree at which light spreads from the barrel. So this one obviously has a smaller spread than the 50 degree leko to the left. |
This is a Colortran Fresnel. We hang fernels mostly on the downsatge fly bar. They give a nice soft wash of light, sometimes we use them for color, but they cannot be tightly focused. |
These are Cyc lights made by, surprise! Colortran. They are almost always geled and used to give a color wash on a cyc, often to suggest water/sky/etc. |
A scoop light made by colortran. Often used to give a color wash to a cyc or set piece. Atleast, thats what we have used them for. |
Our dimmer...it's essential a giant circuit breaker that trips at 25 amps, and only supplies power to our lights. |
These dimmer packs go into our dimmer. Each dimmer pack controls 2 channels. |
USHIO lamps. All of the lamps we use in our S4s, our Altmans, and our fresnels are made by USHIO. |
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Our own crappy strip lights...All these photos of the lights in our audtiorium are courtesy of Mike Murfy |
Another Super-Awesome fresnel |
These are our source four stage right lekos. |
Our actual board...it's kind of beaten, a little worn, but it's ours, and we love it. |
A S4 Leko, hung in the catwalk. |
Crazy angles on the light board. |
Stella! Our trusty, old, stiff, powerful and gel-filled follow spot. She's currently in the green room, since we needed the extra room for les meserables. |
One of those goofy sound kids hanging out by our wicked cool down stage fly bar. |
Double Altmans, ready to rock. Hung side by side in the catwalk, these are probably aimed at seperate areas. |
Double Source 4s...like the two Altmans, but way awesomer and newer. |
Some s4 lekos just chillin' in the coves. They are wont to do just that when we aren't calling on them to light off stage areas, or eliminate shadows in a wash. |
Our downstage fly bar, as seen from downstage. |
This is good old Harold, dimmer than stella, but, much more agile. |
Our house lights and hi-intesities. |
A toally awesome picture Murfy took lying on his back looking at the midstage strips. It clearly illustrates the red/white/blue lights. |
Another fresnel from another angle. These are pretty worn looking. |
An "Old Skool Altman, Yo" This is an excellent shot to show perspective. You can clearly see the tiny dancers whom live inside the auditorim through the window in the catwalk. |
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